Why we are telling a story, who it is for, and what are its cultural access points are important questions I consider from the beginning, and throughout the process, of theatre making.
Collaborating with makers, directors, and other designers, my process is one of in-depth research, exploration and experimentation through drawing and precise model making to create worlds rich in detail and experiences which inspire audiences to pose unanswered questions.
Collaborating with makers, directors, and other designers, my process is one of in-depth research, exploration and experimentation through drawing and precise model making to create worlds rich in detail and experiences which inspire audiences to pose unanswered questions.
Full CV link here
bethanewall@gmail.com
Recipient of the Linbury Prize for Stage Design 2023
Assisting
Georgia Lowe
2021 - present
Anna Yates
October - November 2022
Alys Whitehead
October 2022
Mayou Trikerioti
September - October 2022
Theatre Work
Designer in the Room
Tangled Feet - Schools Residency
November - January 22/23
Scenic Artist
The Apology - Arcola
October 2022
The Burnt City - Prop Making Work Placement
Punchdrunk, December 2021
RWCMD Shows
Set Designer - Urinetown
The Richard Burton Theatre Company,
Cardiff, 2021
Directed by Kirk Jameson
Scenic Artist
The Moors, Yen, Statements, In the Blood
Scenic Communicator
In the Blood
Education
MA Design for Performance
Royal Welsh College of Music and Drama, Cardiff
2022
BA(hons) Fine Art Sculpture
Wimbledon College of Art (UAL)
2016
Skills
1:25 model making
Model painting and texturing
Hand and machine sewing
Soldering
Full clean driving licence
Grade 8 Recorder
Digital Skills
Sketchup
Podium rendering
AutoCAD
Adobe Photoshop & InDesign
Laser cutting